To file under just-in-case-you-haven't-seen-it: British video artist Chris Oakley's brilliant short film The Catalogue (02004).
Preferring to let the thing speak for itself, I won't describe the content, but just want to note that I find it raises an interesting line of thought about the difference between, on the one hand, the modes of visual and narrative representation that make a complex system or technology legible and communicable (especially in prospect, when it doesn't yet exist), and on the other hand, how it might actually work in practice, which may be altogether different.
Drawn to my attention back in January '06 by longtime design collaborator Matt Jensen, I think this video failed to appear previously here at the sceptical futuryst mainly because I didn't start the blog until a few months after that. But a couple of weeks ago, in discussion with Liam Young (of the fabulously interesting Tomorrow's Thoughts Today) I found myself singing the praises of this -- I'm tempted to say classic -- video artifact-from-the-future.
[Update 30nov16: video embed fixed.]
Related posts:
> Surveillance Supreme
> Permission Culture
> Neill Blomkamp, visual futurist
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