Friday, February 01, 2008

The compleat Wired future artifacts gallery 02006

Back to the futures...

[mood ring] | Wired 14.01

[love tester] | Wired 14.02

[mars transit] | Wired 14.03

[tax return] | Wired 14.04

[operation game] | Wired 14.05

[bookshelf] | Wired 14.06

[contact lens] | Wired 14.07

[calorie burner] | Wired 14.08

[report card] | Wired 14.09

[tooth phone] | Wired 14.10

[organ farmers] | Wired 14.11

[3d printer] | Wired 14.12


An eerie thing I notice about some of these artifacts from the future, as we proceed back in time through the archives (diddly-doot, diddly-doot, diddly-doot), is the way some of them are echoed in actual news reports a few years later.

Last month, University of Washington researchers announced bionic contact lenses enabling a lit-up visual overlay. The accompanying photo was strangely reminiscent of the "Found" artifact from issue 14.07, above.

Image: University of Washington via Eurekalert! (AAAS)


Not sure if anyone at Wired, which also reported the announcement, noticed the resemblance to their earlier feature, but I think it's kinda cool.

[Back to the 02005 collection | On to 02007...]

Thursday, January 31, 2008

Bad reviews of future news





Since the post at this blog in mid-January about a viral video set in the future of an inundated New York City, two more supposedly viral videos have joined it online to promote National Geographic Channel's upcoming program, Six Degrees Could Change the World.

The first clip suggests a dust storm in Dallas in 02034. Like the New York underwater clip, there are no people in sight -- it doesn't carry the visceral impact it was clearly after. (And, sorry to say, but again with the shoddy CG animation!)

The second clip is a bit more interesting, from my point of view. Eschewing the (aesthetically unsuccessful) imitation of big-budget establishing shots, it provides a far more subtle, and in a sense relatable (is that really a word?) scenario; a water crisis in Southern California. The footage shows water trickling from a tap, and guys moving around boxes of water-bottles -- exactly the type of mundane stuff a news report would use to represent a story of this kind. So this, as a way of communicating the water crisis scenario, is a metonymic strategy not unlike the present-day still shots I put online this week suggesting a world without oil.

It's unfortunate that they opted for plodding consistency in framing this set of viral videos, foregoing the chance to say anything interesting about how the world -- including news reportage -- might change over the period described (beyond the focal issue of climate). The news screens are shown as interlaced video, which is beginning to look old-fashioned even now, in early 02008, as HD-TV becomes standard. Worse, the hypothetical "CNC News", for some odd reason, uses exactly the same visual style and format (logos, bugs, the headline crawl) in 02026, 02034, and 02051. Was this important to their message? I don't see how, considering the teasers all conclude by sending the viewer, a little didactically, to the same non-diegetic website, which breaks the scenarios' universe right away.

Call me critical (or better yet, sceptical), but I'm disappointed by the wasted potential here.

Could this have anything to do with the slow response of cyberspace? The dust storm was uploaded on 18 January and is showing, as I write, only 83 views. The water shortage clip was posted 25 January and has been viewed 23 times.

(Thanks to John Maus for pointing me to the water clip.)

World without oil photo essay (part three)

I-55 and Route 61, near Holland, Missouri.
31 December 020XX.











(Thanks to Natron for doing the driving that day. Let the record show that you powered through that Memphis hangover like a champ.)

[Back to part one | part two]

Wednesday, January 30, 2008

World without oil photo essay (part two)

U.S. Route 71 near Arkansas state line, Louisiana.
30 December 020XX.











[Back to part one | on to part three]

Tuesday, January 29, 2008

World without oil photo essay

New Summerfield, Texas.
29 December 020XX.











During my road trip in The American South with Mr Matt Jensen -- pretty good driver, really good designer -- at the end of December 02007, we passed this defunct gas station in tiny New Summerfield, Texas (pop. 998). Which gave me an idea for a photo essay exploring the experience of a World Without Oil (a bit like the alternate reality game blogged here recently).

The five shots above are unretouched, and in that sense as close to documentary (vs photoshopped hypotheticals) as photos get. They're plain little snaps -- I took them on a 6.0MP camera set to capture at 3.0MP -- and in the hands of a better photographer there'd be more artistry to them -- but the point that's interesting to me here is the possibility of present-day photographs evoking future scenarios.

In the context of a discussion about a post-oil America, they take on an air of foreboding; begging the question, in tones perhaps more subtle than most future artifacts seen in this space, "Is this our future?"

As I write it occurs to me that these images (and perhaps future artifacts in general) might be considered visual metonyms. Metonymy is a term from linguistics denoting expressions where a part stands in for the whole. (For example, "Check out my new wheels". Here, the word "wheels" stands in for an electric car, wisely selected by its proud owner in anticipation of an imminent oil crisis.)

However far I may appear to stray from it, my point is that such photos, like other futures artifacts, perhaps, serves as a stand-in -- an icon, a tip-of-the-iceberg -- for a much larger, more far-reaching social scenario.

Also, they highlight the fact that images of possible futures, including of post-peak oil scenarios, need not be technologically "futuristic" in the usual way in order to serve as fuel (pardon the pun) for deepening the conversation.

I sense some promise here, in this less labour-intensive approach to futures imagery, which I'm looking forward to exploring as we go along.

More shots to follow...

[On to part two | part three]

Friday, January 25, 2008

The go-to guys for post apocalyptic chaos and destruction

"Nuked York City: An act that seemed unthinkable during the Cold War is now more plausible than ever—and some say inevitable."
Image courtesy Kenn Brown, Mondolithic Studios

In an instant the ship, the container docks, Newark Airport, and everyone within a half-mile radius is vaporized. Seconds later the shock wave smashes into lower Manhattan, knocking the Statue of Liberty off her pedestal and blowing out skyscraper windows in the financial district. Shattering glass cuts down thousands, while a poisonous nuclear squall rises from the blast zone and rains over a 10-mile area. In a microsecond, 15,000 people in New Jersey and New York are killed or wounded, and 200,000 absorb enough gamma rays to keep their doctors counting for the rest of their lives.

The economic damage only begins with the hole blown through the $100 billion annual revenues of the Port of New York and New Jersey. Within half an hour every port in the United States is closed and every container in the global shipping lanes suddenly looks like it’s hiding a potential Hiroshima or Nagasaki.

How likely is this?

Some experts give this or a similar scenario a 51 percent probability over the next 10 years.

"Snatch and Grab: When one man represents millions, his head is priceless."
Image courtesy Kenn Brown, Mondolithic Studios

For an entire week the senator goes off the scope. Nada. Then come the videos. The first appears on an obscure Web site in Yemen. A hooded man with a sword in one hand and the scruff of the senator’s neck in the other peers into the camcorder and says, “We are holding a senator infidel.” Then the screen goes blank. Two days later a second tape surfaces on the Internet, this one in British Columbia. Holding the sword over the senator’s head, the hooded figure gives the president three days to release all Muslim prisoners in Guantánamo Bay.

The president offers prayers for the senator and his family and says, “We don’t negotiate with terror.” 60 Minutes does some tech work with the video: In the grainy image, the senator appears to be saying “fuck you” to his captor, a signal that he stands with the commander in chief. The deadline passes. The last video appears on a Web site at MIT that mirrors the home page of the Department of Homeland Security. Somehow the terrorists have hacked into MIT’s system to create the page, and before the rest of the world is entirely clear on whether it’s looking at the real thing or a mockery, the sword swings, the senator is beheaded, and the page gets five million hits. And, yes, Bush’s refusal to negotiate suited Al Qaeda to a terrorist T. What they really wanted was to step up the media frenzy so Americans would be scared to death in front of a TV audience from Casablanca to Jakarta.

Twenty-four hours later a hiker in the Potomac River Valley finds a headless body near the Chesapeake & Ohio Canal. The next morning an Express Mail package postmarked Leesburg, Virginia arrives at the senator’s office. Inside is the senator’s head, wrapped in a printout taken off the official Web site of the U.S. State Department: Response to Terrorism. “The war on terror is a different kind of war, waged capture by capture, cell by cell, and victory by victory. Our security is assured by our perseverance and by our sure belief in the success of liberty.—President George W. Bush.”

How likely is this?

It’s a miracle it hasn’t happened already.


"Houston Has a Problem: From sea to shining sea, America’s ports remain wide open for the import of a catastrophic terrorist attack."
Image courtesy Kenn Brown, Mondolithic Studios


The Texas fires burn for a week. Under the pall of oily smoke, rescue workers retrieve the bodies of the 12,000 people killed by the flames and toxic gas. ExxonMobil, ConocoPhillips, and Shell all close their refineries to search for bombs. A quarter of the U.S. refining capacity is crippled. Oil prices skyrocket, destabilizing the market. Gas station lines grow even longer than they were during the energy crisis of the 1970s.

How likely is this?

No one knows the vulnerabilities of the American oil and gas industry better than the Middle East, and this scenario would be patently Al Qaeda: cheap, effective, and dirty.


"Man with a Missile: On 9/11 our planes were turned into weapons. Soon the weapons may be turned on our planes."
Image courtesy Kenn Brown, Mondolithic Studios

Inside the jet Deborah James, a 32-year-old mother on her way home after visiting family in Costa Mesa, feels a jolt, then looks out her window to see smoke pouring from the port engine.

“What the…” Don Martinez, the plane’s captain, says, but before he grasps the situation the engine explodes, taking much of the port wing with it. The plane rolls violently into a dive as screams fill the cabin.

Martinez and his copilot try to pull out, but with no wing it’s futile. He starts to radio an SOS, then realizes he’s looking at a street corner from an inverted angle at an altitude of about 400 feet. He can see the long morning shadows of a group of kids waiting at a bus stop.

The fully fueled 737 careens into densely populated Balboa Island, engulfing four square blocks in a 2,000-degree fireball. Flying wreckage rips Newport Bay into a froth and tears into bodies a half-mile away in downtown Newport Beach. The pilot, crew, and 162 passengers are lost. Another 40 die on the ground.
[...]
For 12 hours every flight in the United States is grounded while airports check their perimeter security. In the ensuing weeks, commercial air traffic sinks by over 20 percent, threatening every American carrier with bankruptcy and punching a multibillion-dollar hole in the country’s $552 billion travel industry just as it’s promising to regain pre-9/11 levels of revenue.

How likely is this?

You can take this one to the bank. Stray MANPAD attacks have already happened in places like Kenya, Rwanda, and Baghdad. An Al Qaeda sleeper wouldn’t need much training to pull the trigger.

Kenn Brown and Chris Wren are Mondolithic Studios, the design firm which produced the post-humanity images for Scientific American that I recently blogged here. Last week, I was in touch with Kenn about a remark at the Mondolithic blog -- "funny how we are slowly becoming the go-to guys for post apocalyptic chaos and destruction" -- referencing the fact that those World Without Us illustrations were not the first disaster-scenario images commissioned of the artists. Earlier came a set for an article in Maxim men's magazine, "The Second Wave", about possible terrorist attacks on U.S. soil. The article, several scenarios from which are quoted above together with the corresponding images, appeared in the June 02005 edition (you know the one, with Jennifer Love Hewitt on the cover? C'mon dude it was a classic!). The web-archived version, however, does not include these illustrations, which Kenn has kindly provided.

The scenarios they were called on to illustrate were based on the advice of Col. David H. Hackworth, "the U.S. Army’s legendary guerrilla fighter and best-selling author". Says Maxim: "Hack came back with five plausible scenarios for Al Qaeda’s next surprise attack. But he warns that these are just a few of the hundreds of equally horrible 9/11-type events that may hit the homeland sooner than we think..."

There was another one in the article, involving an attack on a mall (but no picture) ... no matter, you get the general idea from the other four, above. Now, I'm not criticising Mondolithic at all -- I like their artwork very much. But here's the thing that gets me about these terror scenarios: they're much more salacious than the mag's pinup girls! It's an intriguing form of entertainment, isn't it? Terror porn was the term that sprang to mind, an evocative -- if obvious -- coinage. Googling it yielded the following, from an article in the New York Observer (25 December 02005):

“Terror porn”: It’s a term that surfaced not long after 9/11 to characterize a newly emerging genre embracing both fiction—24’s purportedly anti-terror melodrama—and nonfiction (the Daniel Pearl snuff film, forerunner of later orange-jumpsuit beheading tapes.)
[...]
Terror porn has the same structure of melodramatic arousal: seductive excitement over the mounting threat, so to speak, the heated flush of the build-up, all the techno-foreplay with the super-sensitive buttons and the triggers that will set off the orgy of violence.

I do find it intriguing the way certain types of disaster scenario (frequently, and disingenuously, described as "unthinkable") are in point of fact, not only thinkable but thoroughly, morbidly fascinating, and indeed used to sell pop magazines. How we as a society interact with -- some might say dwell upon, obsessively -- certain fearful possibilities has for obvious reasons become a focal point for political critics in recent years (e.g., documentarian Michael Moore's Fahrenheit 9/11, and Adam Curtis's excellent three-part The Power of Nightmares). But the flirtation with disaster, with imagining futures that are not only suboptimal but which could fairly be called horrific, resonates with other diverse, curious and yet widespread risktaking behaviours, including playing with fire, riding rollercoasters, watching horror films, and voting.

The question that falls for our consideration: is there any way that preferred future scenarios can possibly match the visceral thrill, the can't-tear-your-eyes-away quality, of the nightmares which seem to have so little difficulty gaining traction? I know, I know. Happy doesn't sell. And until quite recently, even dystopian scenarios unfolding on a longer timeline (e.g., oil scarcity, sea level rise) didn't get too much attention -- probably because it's much harder for these problems to cut the requisite dramatic mustard than explosions and beheadings.

It is not a failure to engage the future or its uncertainties in toto that characterises American public discourse today. It's the (partly unwitting, yet) selective use of fearful images to galvanise public feeling, together with the lack of vividly expressed, preferred scenarios based on anything firmer than dogma or wishful thinking.

So who, really, are the go-to guys for post apocalyptic chaos and destruction?

Nominations are now open.