Showing posts with label indigenous. Show all posts
Showing posts with label indigenous. Show all posts

Monday, August 31, 2020

The Spirit and the Letter

As the new school year gets underway I've been thinking about some of the reading that left an impression on me this summer. Tonight my mind goes to the collection Dreaming Too Loud by the remarkable human rights barrister Geoffrey Robertson, who is known for representing, among others, Salman Rushdie, Julian Assange, the Aboriginal Tasmanian Centre, and A.S. Neill's Summerhill School. His other books include Crimes Against Humanity: The Struggle for Global Justice and Who Owns History? Elgin's Loot and the Case for Returning Plundered Treasure. A man of uncommon moral clarity and a wickedly sharp turn of phrase, Robertson was once described as "the greatest living Australian" by the now much missed Christopher Hitchens.

I was in search of insight into the ingenious show that he used to host in the 1980s on Australian public television, Geoffrey Robertson's Hypotheticals (a cousin of the long-running Fred Friendly Seminars on PBS in the United States, and their roots are intertwined, as Robertson relates in his memoir). This brilliantly improvised quasi-roleplaying-game format for supporting public imagination and debate could sometimes be controversial –– the hypothetical transcribed in the book comes from an episode dealing with the politics of media ownership in Australia, which apparently ruffled the wrong feathers, and disappeared without ever being broadcast –– but this is just one facet of a long and colourful career illuminated from many angles in Dreaming Too Loud.

Among the themes of Australian history and society running through in the book is the abysmal treatment of the country's first inhabitants and the need for legal redress: "Restorative justice requires some atonement to indigenous Australians."

I was born in Adelaide, South Australia –– Kaurna Country –– although my family moved overseas when I was very young, and I have had too few opportunities to spend time there since, so my ignorance of the place is sadly extensive. Something I learned from this book is that the Letters Patent issued by the king of England in 01836 that founded South Australia, then the only state free of convicts in a country otherwise settled as a series of penal colonies, explicitly included the following condition:

Provided always that nothing in these Letters Patent contained shall affect or be construed to affect the rights of any Aboriginal Natives of the said Province to the actual occupation or enjoyment in their own Persons or in the Persons of their Descendants of any Land therein now actually occupied or enjoyed by such Natives.

As Robertson points out, almost two hundred years of studied disregard for the letter and spirit of the law were to follow. But this fascinating legal timebomb from the early nineteenth century, a potential basis eventually for the kind of sudden paradigmatic shift that international legal scholars call a Grotian moment, remained, like a cultural earthquake waiting to happen.

Introducing the article 'Give Adelaide Back', he notes:

Adelaide may have been an act of theft, but, unlike most colonial acquisitions, it might one day be returned –– if lawyers in the future can work out how to enforce the patent as the king of England and his Whig ministers, back in 1836, intended. This would provide an example of how, in the law, time past is present in time future.

Towards that end he ventures some legal formulations that might be helpful, including a 'Statute of Liberty', a counterpart to the United States Bill of Rights, which is something that the Australian Constitution has never included. Understandably this is a special point of interest and concern for a human rights lawyer. The proposed Preamble starts as follows:

Whereas the people of Australia, united in one indissoluble Commonwealth, declare it the democratic duty of their parliaments and elected bodies and government officials to uphold, protect and advance their hard-won liberties, and being:

Humble in acknowledging the first owners and occupiers of this unique continent, whose ancestors have walked about on its earth for many thousands of years before British settlement;

Sorrowful for the dispossession, discrimination and degradation they have endured and

resolved hereafter to respect their relationship with the land and to atone for past wrongs by future equity...

This proposed document appears in full elsewhere in the same collection, but Robertson has previously published a whole book setting out the argument, too.

A provision on the Special Rights of Indigenous People is suggested as follows:

Indigenous people have distinct cultural rights and must not be denied the right, with other members of their community:
i) to enjoy their identity and culture;
ii) to maintain and use their language;
iii) to maintain their kinship ties;
iv) to maintain spiritual and material relationships with the land and waters according to their customs of old.

Evaluating the specifics of these proposals is not my purpose here. What catches interest is their force and simplicity as prototypes of legal artifacts from the future –– we might say, time future crystallised in time present.

In the law words have a certain magic. They are used not merely to interpret but to map the very contours of the world. Among its affordances as a practice in our society, then, is the fact that if you can find the right words at the right moment, they can work like a spell. A skilfully woven thread tying past and present facts to tomorrow's legal logic can just about pull a future into existence. I don't know that this fully landed with me in law school –– and there's a bit more to it than that of course –– but after many years of working with all sorts of media and strategies to bring futures to life, I appreciate the potency and currency of words in the legal realm in a different way now.

I've also been tracking a long, slow loop through experiential futures back towards where I began in the law, and the challenges and opportunities of synthesising the two. What radically different arrangements in systems of law and justice might lie on the other side of the racial justice reckoning that we're moving through in America and other settler societies at the moment? In different ways, two enormously inspiring books I've also read in the past couple of months have ushered my curiosity further in that direction; Braiding Sweetgrass by Robin Wall Kimmerer (thanks to my friend Michelle King) and Just Mercy by Bryan Stevenson (thanks to The Ezra Klein Show).

This reminds me –– a professor I recently met from the law school at the University of Pittsburgh, Tomar Pierson-Brown, pointed me to a remarkable series of legal publications called Feminist Judgments that started in the UK a decade ago and set a pattern since borrowed by writers in other common law jurisdictions. Each collection presents a set of historic legal judgments, "using only the precedent in effect and the facts known at the time of the original decision", critically reimagined and rewritten through a feminist lens. I love the depth and detail of this mode of engagement, the counterfactual hypothesising with teeth, the committed performance of principle with far greater groundedness than much of what passes for speculation in some other contexts.

And here again, the summoning of a power in legal writing to dream alternative directions, and not just tell but show the truth of that vital activist and futurist dictum: other worlds are possible.

Related:
> Foresight is a Right
> An Artifact from Australia's Future
> On the Money
> The People Who Vanished
> Anything But Text
> Journalism from the Future
> Syrian refugee girls reimagine their futures

Tuesday, December 11, 2018

An artifact from Australia's future

The apology to the Nauru Generation, November 02068.



It may not always be obvious in the writing here –– apart from my favoured spelling –– but I was born and grew up in Australia, and despite spending most of my adult life outside the country, have never lost the accent.

In my view there are two great and lamentable stains on the Australian polity, a pair of relationships between the official centres of power in the settler society, and their Others.

The first is the foundational and ongoing dispossession and genocide of the country's indigenous peoples. The second is the callous and inhumane treatment of undocumented immigrant arrivals by boat.

These tragedies have in common a disregard of the basic interests and humanity of both groups. They are symmetrical horrors, but any resemblance is not purely coincidental. The two are joined at the root.

Any country founded on colonial imposition harbours at some level unaddressed and sublimated guilt on the part of settlers, especially the "first" white ones, starting with the very fact of their/our presence and carrying through a monstrous historical litany. Policies today punishing people who want in, but don't look like us, can be seen as an ugly and pernicious case of referred pain in the body politic, or as the vernacular has it, kicking the cat.

Australia is not the only country in the world with this kind of baggage. But perhaps it is becoming more obvious there, or more publicly so, how these pathologies are related.

At the start of last month a performer named Sammy J released a short video through the website of the national broadcaster, ABC. Although he is best known as a comedian, this three-minute clip was not in any sense comical. It showed him taking the role of a future Australian Prime Minister, and apologising in Parliament in the year 02068 to the victims of the (longstanding, since 02001) zero-tolerance policies towards asylum seekers arriving by boat, and the offshore detention facilities established to hold them on the island of Nauru, in the South Pacific.

Just about any Australian citizen or semi-interested observer is bound to recognise right away the analog in recent history to this imagined future event. The 'Nauru Generation' mentioned here is heard as a parallel to the indigenous Stolen Generations of all-too-recent Australian history, and the premise of a belated official apology unmistakeably points back to the long-awaited apology to indigenous peoples delivered in Parliament in 02008 by then Prime Minister Kevin Rudd.

We've previously seen here at The Sceptical Futuryst many cases of future documentary fragments, and for that matter feature-length treatments of political prospects. We've come across near-future newspapers making near-utopian developments tantalisingly tangible; and also the specific strategy of using future artifacts to dramatise potential regret in an effort to prompt world leaders to take effective climate action at the COP 15 summit in Copenhagen in 02009 (apparently it didn't work, though the Paris Accord has since taken steps in the right direction). We've even seen change at the scale of a whole country spurred by an transmedia experiential scenario, bringing an aspirational possibility to life, in Tunisia's Arab Spring campaign #16juin2014 (which seemed to succeed, up to a point). And we've looked at artwork imagining an Australian Aboriginal monarch on the national currency.

I don't recall previously seeing this particular approach; a stand-alone video fragment of the political process (if you're in the U.S., think C-SPAN) to comment on present controversies.

People often ask about whether hope or fear, preferred or perilous, is the more strategic and effective type of future to dramatise or discuss.

I don't think there is a one-size-fits-all answer. Speaking generally, for one thing it isn't always clear whether a certain eventuality is positive or negative. Those describing or portraying it may feel one way, and find that others see it in an altogether different light.

Actually, for any posited changes there might be a range of responses. (This was deliberately the case for the changes explored via our recent experiential scenarios NaturePod and NurturePod, for example.) Embedded ambivalence can be a useful approach when using the lenses of possible futures to look at people's various present-day perceptions and values around changes unfolding now. Whether expected or not, divergent reactions to a scenario, experiential or otherwise, may be instructive.

Leaving aside the question of what happens to trigger it in any given case, one might still ask which of the two responses as elicited is the more effective; is hope (and similar) or fear (and similar) the more useful emotional territory? This is a slightly sharper question, but again, I find it more fruitful to see different moods as a palette of conversational or deliberative affordances, than to try categorising certain registers as better or worse overall on some universal yardstick.

I've written this partly to sort out some of my own thinking, without having looked at any commentary on the video, so I don't know how it has been received. However the version posted here has logged over 850,000 views to date (and it's not the only one online), which for Australian political commentary suggests a decent level of resonance and virality.

What I had already seen and read of Australia's offshore detention centres left me aghast, and for readers unfamiliar with the backstory here, the New York Times reported just yesterday that a lawsuit has been filed against the Australian federal government, claiming that the migrant detention camps amount to a crime against humanity.

But I think the perspective offered in this future video artifact might conceivably be useful regardless of where one sits on this issue, or on the political spectrum.

An official apology from the year 02068 invites viewers today to consider how future people, two generations from now, might regard the policies of the present. Asking this type of question could be a helpful reflex in relation to many current cultures and policies, wherever and whenever you may be in the world; not only in Australia, not only on this issue, and not only at this moment.

I want to add that fifty years seems a much longer period than we need in order to reasonably picture political regrets coming home to roost in this case, although I expect the choice of a distant temporal vantage point was likely meant to underline how slowly the current (conservative) government is catching on to the moral and historical import of these policies.

Still, especially with that generous time horizon, it's disappointing that the incidental glimpse of Australia's Parliament in half a century is noticeably less diverse than today's (a white bloke again at the helm, but no visible minorities in view), and nothing else in the scene seems to hint at changes in the national political landscape. Even if this were meant as a broader comment on institutional inertia and how infuriatingly slow to change the governance layer can be, this seems a missed opportunity. (My guess is that it's just a standard instance of Cascio's first rule for how not to write scenarios: change only one variable.)

But to return to the question of specific emotional charge: part of what is interesting to me about this future video is that, as someone who wants to see the harms of these policies acknowledged, stopped, and remedied without delay, this particular scenario comes as a complex mix of awful and hopeful.

It portrays the right thing being done, but after waiting far too long.

(Many thanks to Eddie Harran for the tip.)

Related:
> Dreaming together (external website)
> On the money
A Climate of Regret
> Foresight is a Right
> Future documentary
Guerrilla futurists combat war on terror
> An experiential scenario for post-revolution Tunisia 

Friday, January 20, 2012

On the money

Image via [pdf].

Today, while browsing one of Melbourne's excellent bookstores -- which are still surprisingly abundant, despite global publishing industry turmoil -- I came across this striking image on the cover of an Australian literary quarterly, Meanjin.

It's from a 02008 photograph series called Oz Omnium Rex et Regina (King and Queen of All Oz) by Darren Siwes, an artist of indigenous Australian and Dutch descent.

A bit of context for international readers:
[The photograph] depicts a recognizably Australian gold coin, close-up. The words "Mary I, Australia 2041" are emblazoned onto its shiny surface. The future reigning monarch bears a distinct resemblance to a local, high-profile Aboriginal woman, leading viewers not only to question Australia’s current (and to many, anachronistic) constitutional monarchy, but also its legal legitimacy. In terms of natural justice, the obvious question arising is, "Why not an Indigenous monarch, or at least, an Indigenous head of state?"

~Christine Nicholls, "A Festival Of The Spirit" [pdf; essay reviewing the 02009 South Australian Living Artists Festival, in which this work also appeared]

Below is the obverse of the one dollar coin now in use, which, like all Australian coins, bears the image of Queen Elizabeth II. Who lives in, um, England.

Image via. [Note that the version of the Queen's head struck in Australian coins
does change periodically, loosely tracking the ageing process.]

Now, as some readers may guess from this blog's usual focus on experiential and performative scenarios, regarding the choice of medium, I personally resonate less with series of gold and silver painted-busker-statue type photos, appearing mainly in art galleries or literary reviews, than I would with an alternative execution of the same idea, in which the coins were physically produced, a tangible and diegetic (in-story) artifact, manifested, integrated and discoverable in everyday contexts, today.

Image via.

In any case, the proposition offered here remains challenging and culturally relevant, and currency proves an especially potent symbolic vector in which to embed it. Like other future artifacts from the same "family" -- e.g. the Amero, or the Aung San Suu Kyi kyat -- this embodies the hypothesis of an epoch-making change of governance in the near future, and it invites us to spend time with the idea for real.

Image via.

"Culture is something that is done to us. Art is something we do to culture."
~Carl Andre *

Related posts:
The currency of Burmese dissent
> The value of hypothetical currency
The act of imagination

* Quoted in Lewis Hyde, Trickster Makes This World.